The Overseas Ensemble
Album production and live performances
A project by Ilaria Lupo in collaboration with Paed Conca and Sarigama
With The Beirut Art Center, Radio Beirut, Institut Français Du Liban, Zoukak Theatre.
Support of the research from: Sen. Prof. Sunil Aryiaratne, Prof. David Kenneth Jackson, The Department of National Archives of Colombo, The Legal Agenda, Nayla Geagea, The Migrant Community Center, Beirut.
The project focuses on the legal interdiction for immigrants to perform music publicly in Lebanon. This due to the Artist Visa's normative, rooted in the French mandate, which up till now regulates foreign prostitution. The Artist Visa is mandatory to play live, based on the kafala system - ruling migrant labor in Lebanon and in The Gulf region.
Sarigama are a group of Sri Lankan nationals who migrated to work in Lebanon, and who play music for themselves. They work by day and rehearse at night – in the basement of a supermarket under the achronymus of Sarigama band. Lupo involved them in a collaboration with the composer/musician Paed Conca.
During three months of rehearsals, Conca and Sarigama created an experimental album, born from a research on the Sri Lankan music Baila. Baila’s origins can be traced in a merging of Portuguese and African music - a hybrid of Western melodic system and asymmetric and cross rhythms. It was introduced in Sri Lanka at the colonial time (along with Kaffrinha), and developed after the independence, to become an essentially local music - with godfather figures such as Wally Bastiansz and MS Fernando.
The Overseas Ensemble’s rearrangements explore deconstructions of format, rhythm, duration, fusion of genres, connecting with wider processes of blending and their historical roots
The project questions such processes through the lens of cultural production. Due to the above-mentioned conditions, in Lebanon Sri Lankan contemporary music develops in underground circles only. This is part of the liquid geographies of the ‘non-official’ diffusion of culture. The band’s activity testifies of a process of participation to the local scene - even if an invisible one. It resists legal bans, but also the crystallized forms of cultural representation in the context in which these musicians operate.
The research on 'Baila' was articulated through exchanges with academics whose oeuvres are touchstones in the field: Prof. Sunil Aryiaratne, author of 'Baila Kaffrinha' and Prof. David Kenneth Jackson, author of 'Sing without Shame'.
The Overseas Ensemble performed live at The Beirut Art Center, Radio Beirut, (which produced the album), Focus Liban Festival (by The Centre Culturel Français du Liban and Zoukak) and at Yukunkun Club.